Kenyon College

Harun Farocki – Scholarly Articles


Below is a bibliography of scholarly articles and works addressing the work of Harun Farocki:

Alter, Nora M. “Two or Three Things I Know about Harun Farocki.” October, issue 151 (Winter 2015), 151-158.

Blumenthal-Barby, Martin. “Cinematography of Devices: Harun Farocki’s Eye/Machine Trilogy.” German Studies Review vol. 38, issue 2 (May 2015), 329-351.

Blumenthal-Barby, Martin. “Counter-Music: Harun Farocki’s Theory of a New Image Type.” October, issue 151 (Winter 2015), 129-150.

Elsaesser, Thomas. “The Future of ‘Art’ and ‘Work’ in the Age of Vision Machines: Harun Farocki.” In After the Avant-Garde: Contemporary German and Austrian Experimental Film. Edited by     Randall Halle and Reinhild Steingröver. Rochester, NY: Camden House, 2008.

Elsaesser, Thomas. Harun Farocki: Working on the Sight-Lines. Amsterdam: Amsterdam University Press, 2004.

Halle, Randall. “History is Not a Matter of Generations: Interview with Harun Farocki.” Translation by Sabine Czylwik. Camera Obscura vol. 16, no. 1 (2001), 47-75.

Farocki, Harun. Nebeneinander. Köln: Walther Konig; New York, NY: DAP/Distributed Art Publishers, 2007.

Kernbauer, E. “Establishing Belief: Harun Farocki and Andrei Ujica, Videograms of a Revolution.” Grey Room, issue 41 (2010), 72-87.

Richter, G. “Harun Farocki and the Cinematic Non-Event.” Journal of Visual Culture vol. 3, issue 3 (December 2004), 367-371.

Voltzenlogel, Thomas. “Harun Farocki (1944-2014), or Dialectics in Images.” Senses of Cinema, issue 73 (December 2014).

Image: Harun Farocki (German 1944 – 2014), (Still from) Serious Games IV: A Sun With No Shadow, 2010. Video, color, sound, 8 min.. Copyright Harun Farocki.